Nine Stories | 
| Author: J.d. Salinger Publisher: Back Bay Books Category: Book
List Price: $13.99 Buy New: $5.82(as of 3/9/10 09:43 PST - Details)
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Rating: 163 reviews Sales Rank: 1255
Media: Paperback Pages: 320 Number Of Items: 1 Shipping Weight (lbs): 0.7 Dimensions (in): 8 x 5.2 x 0.9
ISBN: 0316767727 Dewey Decimal Number: 813.54 EAN: 9780316767729 ASIN: 0316767727
Publication Date: January 30, 2001 Availability: Usually ships in 1-2 business days
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Amazon.com Review In the J.D. Salinger benchmark "A Perfect Day for Bananafish," Seymour Glass floats his beach mate Sybil on a raft and tells her about these creatures' tragic flaw. Though they seem normal, if one swims into a hole filled with bananas, it will overeat until it's too fat to escape. Meanwhile, Seymour's wife, Muriel, is back at their Florida hotel, assuring her mother not to worry--Seymour hasn't lost control. Mention of a book he sent her from Germany and several references to his psychiatrist lead the reader to believe that World War II has undone him. The war hangs over these wry stories of loss and occasionally unsuppressed rage. Salinger's children are fragile, odd, hypersmart, whereas his grownups (even the materially content) seem beaten down by circumstances--some neurasthenic, others (often female) deeply unsympathetic. The greatest piece in this disturbing book may be "The Laughing Man," which starts out as a man's recollection of the pleasures of storytelling and ends with the intersection between adult need and childish innocence. The narrator remembers how, at nine, he and his fellow Comanches would be picked up each afternoon by the Chief--a Staten Island law student paid to keep them busy. At the end of each day, the Chief winds them down with the saga of a hideously deformed, gentle, world-class criminal. With his stalwart companions, which include "a glib timber wolf" and "a lovable dwarf," the Laughing Man regularly crosses the Paris-China border in order to avoid capture by "the internationally famous detective" Marcel Dufarge and his daughter, "an exquisite girl, though something of a transvestite." The masked hero's luck comes to an end on the same day that things go awry between the Chief and his girlfriend, hardly a coincidence. "A few minutes later, when I stepped out of the Chief's bus, the first thing I chanced to see was a piece of red tissue paper flapping in the wind against the base of a lamppost. It looked like someone's poppy-petal mask. I arrived home with my teeth chattering uncontrollably and was told to go straight to bed."
Product Description Since the publication of The Catcher in the Rye in 1951, the works of J.D. Salinger have been acclaimed for their humor, intensity, and their lack of phoniness. A collection of short fiction, Nine Stories contains works with those qualities that make Salinger such a well-loved author.
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| Customer Reviews: Read 158 more reviews...
Killer March 8, 2010 J. Green I'm about halfway through, but am loving the hell out of it. What a master of people and dialogue.
Love this book July 4, 2009 Angad (Los Angeles, USA) I'm never without it. It's a constant companion for me. I bought this edition to replace 'For Esme With Love and Squalor' (the same collection under a different name) which I gave to a friend.
I couldn't get into this book May 10, 2009 TheHollyLlama (Sioux City, IA USA) 1 out of 8 found this review helpful
A friend I work with loaned it to me because he adores Salinger and I just couldn't get into it! It was for me, kind of boring and I hate to say that because I adore the classics and I really, really wanted to like it. I recommend someone else read it just because it is a classic. I personally hated it! D+
Roller Coaster May 8, 2009 Alyssa Hernandez (Wisconsin) 1 out of 2 found this review helpful
Salinger has been a favorite of mine for quite some time, and this book does not dissapoint. The book serves as a rollercoaster: going from insanely good stories, to horribly mediocre ones, starting and ending with probably the two best stories in the book. Personally, i adored "A Perfect Day for Bannana Fish", "Teddy", and "De-Daumier-Smith's Blue Period", but i personally could have gone without, "Uncle Wiggly in Connecticut" and "Down at the Dinghy".
A mediocre collection outside the context of the Glass family saga . . . January 21, 2009 Ryan Werner (Wiscompton, yo) 4 out of 9 found this review helpful
Salinger's cultish adoration and said cult's focus on the Glass family may be the only reason this collection has been canonized and subsequently adored (or vise-versa). That's not to say the stories aren't well-written. They're very well-written, solid pieces of prose that avoid all problems, major or minor. Salinger's voice is fully developed, making the stories highly readable. That's not to say the stories are great, though. Occasionally, they are great. "The Laughing Man" follows what seems to be a typical Salinger technique of someone telling someone else's story (or telling it in such a way that it's actually theirs. He messes with connections between the characters and the story being told, let's just say). It's definitely the smartest and most carefully crafted story in the collection, along with "For Esme--With Love and Squalor." Both stories use storytelling to tell a story, which is clever. It's how "The Laughing Man" goes from a story that parallels a break-up and a crimefighter to being a story that parallels both of those things with a move from the innocence of childhood. It's how "For Esme" goes from a cute Audrey Hepburn type story into something much darker and lovesick, if not a bit too melodramatic. The quaint, idiosyncratic humor and mentality of a post-war society loom over these mid-century stories, working to their advantage occasionally ("A Perfect Day For Bananafish" and the ten-pages-too-long "De Damier-Smith's Blue Period"), but mainly just dating them and making the outcomes and overall stories seem uneventful ("Uncle Wiggly In Connecticut," "Just Before the War With the Eskimos") or--even worse--pointless ("Down at the Dinghy"). "Pretty Mouth and Green My Eyes" even reads like mediocre Hemingway with it's feelings of tension between couples in a "recovering nation." There's already enough mediocre Hemingway thanks to Hemingway himself, and while I wanted to like the story, it turned out to be rather inconsequential, save for the last line where we get the same type of finish-line twist we got in "Bananafish," "Uncle Wiggly," "Eskimos," and "The Laughing Man." While it is definitely done to a better effect in "Pretty Mouth," it ended up being much of the same. "Teddy" is perhaps the second most interesting story in the collection ("Bananafish" is the first, as the ending is both surprising and appropriate). It deals with rhetorical philosophy through the musings of a ten-year-old prodigy. The boy could have just as easily been older, and his youth binds innocence and childhood with a bit of a heavy hand. The story starts of funnily enough, with each family member carrying on a different conversation while trying to get the others to listen. The story reads like a base-level, Reader's Digest explanation of terministic screens and vague existentialism. Overall, the collection is a solid 70% cool: "Bananafish" and "The Laughing Man" are both fantastic, "For Esme" is quite good at blending craft and the fourth wall of craft, and "Blue Period" is surprisingly tolerable (though making the French look like snooty jerks seems like a cheap shot in any era). While others may champion this collection for its "nice" writing and ties to the Glass family drama, it fails to go beyond slightly-above-mediocre if you're not tied up in who's narrating "Bananafish" or why Walt Glass mattered.
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